Orban Aulos Vol 1

Prelude in A minor ( two-part writing )
Fughetta in A major ( imitation, fugue )
Prelude in D minor ( syncopation )
Fughetta in D minor ( the stretto )
Prelude in E major ( inversions )
Aria in E major ( augmentation - diminution )
Prelude in G minor ( double counterpoint )
Geneva Psalm 150 ( communal singing and polyphony )
Prelude in B major ( polyphonic 'floating' )
Chorale fantasia in B minor ( what the words imply )
Toccatina ( latent polyphony )
Fughetta in C minor ( towards a double fugue )
Prelude in F-sharp major ( the melody at the bottom ( where else should
it be? ) )
Fugue in F-sharp major ( double fugue )
'An Angel from Heaven' ( polyphony is transparent )
Appendix 9b Chorale fantasia ( Geneva Psalm 42 )